Early 15th century tapestry. Cluny Museum – Paris. This is the right part of "Chivallry scene" tapestry. With a background of leaves and flowers. The apprentice knight is offering a wooden chest to the lady. All the characters are dressed in the Italian fashion after Charles VIII conquered Naples in 1495.
Each tapestry is delivered doubled and ready to hang up on wall. A certificate of authenticity is affixed on the back. Beyond a quality seal, it indicates the point of weaving, the title and the subject of the tapestry, but, what’s most important, registers every tapestry in a matchless craft heritage.
"The Lady with the Chest" tapestry
€840.00
VAT included
Delivery times vary depending on the workshop - Contact us for more information
Early 15th century tapestry. Cluny Museum – Paris. This is the right part of "Chivallry scene" tapestry. With a background of leaves and flowers. The apprentice knight is offering a wooden chest to the lady. All the characters are dressed in the Italian fashion after Charles VIII conquered Naples in 1495.
Each tapestry is delivered doubled and ready to hang up on wall. A certificate of authenticity is affixed on the back. Beyond a quality seal, it indicates the point of weaving, the title and the subject of the tapestry, but, what’s most important, registers every tapestry in a matchless craft heritage.
Product Details
JP3167.12
Data sheet
- Weaving stitch:
- Halluin stitch
- Sizes:
- h 93 x L 70 cm
The Pansu’s weaving workshop has been established in 1878 by Jules Pansu. Settled in the city of Halluin, north of France, birthplace of the tapestry for over 600 years, the Pansu’s workshop has become the reference of the tapestry “Made in France”. A team of highly qualified designers and weavers, among whom three "Best craftsmen in France" awarded, restore for you the masterpieces and patterns which have decorated centuries of History of France and Europe. More than 125 years after its creation, the workshop continues to work on true Jacquard looms. They also keep creating their own brand-new models as well as readapting famous paintings, more modern, but always with the same traditional and unequalled know-how.
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